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Schweigt stille, plaudert nicht, BWV 211: Aria (Bass): “Hat man nicht mit seinen Kindern”

Schweigt stille, plaudert nicht, BWV 211: Aria (Bass): “Hat man nicht mit seinen Kindern”

Kaffee-Kantate by Ton Koopman, Klaus Mertens

song · 2 Plays · 02:37 · english

(P) 2016 Challenge Classics

More from Kaffee-Kantate

1

Schweigt stille, plaudert nicht, BWV 211: Recitative (Tenor): “Schweigt stille, plaudert nicht”

Schweigt stille, plaudert nicht, BWV 211: Recitative (Tenor): “Schweigt stille, plaudert nicht”

Ton Koopman, Paul Agnew

00:40

2

Schweigt stille, plaudert nicht, BWV 211: Recitative (Soprano, Bass): “Du böses Kind, du loses Mädchen”

Schweigt stille, plaudert nicht, BWV 211: Recitative (Soprano, Bass): “Du böses Kind, du loses Mädchen”

Ton Koopman, Klaus Mertens, Anne Grimm

00:40

3

Schweigt stille, plaudert nicht, BWV 211: Aria (Soprano): “Ei! wie schmeckt der Coffee süße”

Schweigt stille, plaudert nicht, BWV 211: Aria (Soprano): “Ei! wie schmeckt der Coffee süße”

Ton Koopman, Anne Grimm

04:38

4

Schweigt stille, plaudert nicht, BWV 211: Recitative (Soprano, Bass): “Wenn du mir nicht den Coffee läßt”

Schweigt stille, plaudert nicht, BWV 211: Recitative (Soprano, Bass): “Wenn du mir nicht den Coffee läßt”

Ton Koopman, Klaus Mertens, Anne Grimm

01:21

5

Schweigt stille, plaudert nicht, BWV 211: Aria (Bass): “Mädchen, die von harten Sinnen”

Schweigt stille, plaudert nicht, BWV 211: Aria (Bass): “Mädchen, die von harten Sinnen”

Ton Koopman, Klaus Mertens

02:34

6

Schweigt stille, plaudert nicht, BWV 211: Recitative (Soprano, Bass): “Nun folge, was dein Vater spricht”

Schweigt stille, plaudert nicht, BWV 211: Recitative (Soprano, Bass): “Nun folge, was dein Vater spricht”

Ton Koopman, Klaus Mertens, Anne Grimm

00:57

7

Schweigt stille, plaudert nicht, BWV 211: Aria (Soprano): “Heute noch, lieber Vater tut es doch”

Schweigt stille, plaudert nicht, BWV 211: Aria (Soprano): “Heute noch, lieber Vater tut es doch”

Ton Koopman, Anne Grimm

06:20

8

Schweigt stille, plaudert nicht, BWV 211: Recitative (Tenor): “Nun geht und sucht der alte Schlendrian”

Schweigt stille, plaudert nicht, BWV 211: Recitative (Tenor): “Nun geht und sucht der alte Schlendrian”

Ton Koopman, Paul Agnew

00:54

9

Schweigt stille, plaudert nicht, BWV 211: Chorus (Soprano, Tenor, Bass): “Die Katze läßt das Mausen nicht”

Schweigt stille, plaudert nicht, BWV 211: Chorus (Soprano, Tenor, Bass): “Die Katze läßt das Mausen nicht”

Ton Koopman, Paul Agnew, Klaus Mertens, Anne Grimm, Amsterdam Baroque Choir, Els Bongers

04:01

10

Mer hahn en neue Oberkeet, BWV 212: Sinfonia

Mer hahn en neue Oberkeet, BWV 212: Sinfonia

02:09

11

Mer hahn en neue Oberkeet, BWV 212: Aria. Duetto (Soprano, Bass): “Mer hahn en neue Oberkeet”

Mer hahn en neue Oberkeet, BWV 212: Aria. Duetto (Soprano, Bass): “Mer hahn en neue Oberkeet”

Ton Koopman, Klaus Mertens, Els Bongers

00:30

12

Mer hahn en neue Oberkeet, BWV 212: Recitative (Bass, Soprano): “Nu, Mieke, gib dein Guschel immer her”

Mer hahn en neue Oberkeet, BWV 212: Recitative (Bass, Soprano): “Nu, Mieke, gib dein Guschel immer her”

Ton Koopman, Klaus Mertens, Els Bongers

00:50

13

Mer hahn en neue Oberkeet, BWV 212: Aria (Soprano): “Ach, es schmekt doch gar zu gut”

Mer hahn en neue Oberkeet, BWV 212: Aria (Soprano): “Ach, es schmekt doch gar zu gut”

Ton Koopman, Els Bongers

00:49

14

Mer hahn en neue Oberkeet, BWV 212: Recitative (Bass): “Ter Herr ist gut: Allein der Schösser”

Mer hahn en neue Oberkeet, BWV 212: Recitative (Bass): “Ter Herr ist gut: Allein der Schösser”

Ton Koopman, Klaus Mertens

00:22

15

Mer hahn en neue Oberkeet, BWV 212: Aria (Bass): “Ach, Herr Schösser, geht nicht gar zu schlimm”

Mer hahn en neue Oberkeet, BWV 212: Aria (Bass): “Ach, Herr Schösser, geht nicht gar zu schlimm”

Ton Koopman, Klaus Mertens

01:20

16

Mer hahn en neue Oberkeet, BWV 212: Recitative (Soprano): “Es bleibt dabei, daß unser Herr der beste sei”

Mer hahn en neue Oberkeet, BWV 212: Recitative (Soprano): “Es bleibt dabei, daß unser Herr der beste sei”

Ton Koopman, Els Bongers

00:21

17

Mer hahn en neue Oberkeet, BWV 212: Aria (Soprano): “Unser trefflicher lieber Kammerherr”

Mer hahn en neue Oberkeet, BWV 212: Aria (Soprano): “Unser trefflicher lieber Kammerherr”

Ton Koopman, Els Bongers

01:41

18

Mer hahn en neue Oberkeet, BWV 212: Recitative (Soprano, Bass): “Er hilft uns allen, alt und jung”

Mer hahn en neue Oberkeet, BWV 212: Recitative (Soprano, Bass): “Er hilft uns allen, alt und jung”

Ton Koopman, Klaus Mertens, Els Bongers

00:33

19

Mer hahn en neue Oberkeet, BWV 212: Aria (Soprano): “Tas ist galant”

Mer hahn en neue Oberkeet, BWV 212: Aria (Soprano): “Tas ist galant”

Ton Koopman, Els Bongers

00:59

20

Mer hahn en neue Oberkeet, BWV 212: Recitative (Bass): “Und unsre gnäd’ge Frau”

Mer hahn en neue Oberkeet, BWV 212: Recitative (Bass): “Und unsre gnäd’ge Frau”

Ton Koopman, Klaus Mertens

00:42

21

Mer hahn en neue Oberkeet, BWV 212: Aria (Bass): “Fünfzig Taler bares Geld”

Mer hahn en neue Oberkeet, BWV 212: Aria (Bass): “Fünfzig Taler bares Geld”

Ton Koopman, Klaus Mertens

00:53

22

Mer hahn en neue Oberkeet, BWV 212: Recitative (Soprano): “Im Ernst ein Wort!”

Mer hahn en neue Oberkeet, BWV 212: Recitative (Soprano): “Im Ernst ein Wort!”

Ton Koopman, Els Bongers

00:26

23

Mer hahn en neue Oberkeet, BWV 212: Ario (Soprano): “Klein-Zschocher müsse so zart und süße”

Mer hahn en neue Oberkeet, BWV 212: Ario (Soprano): “Klein-Zschocher müsse so zart und süße”

Ton Koopman, Els Bongers

05:50

24

Mer hahn en neue Oberkeet, BWV 212: Recitative (Bass): “Das ist zu klug vor dich”

Mer hahn en neue Oberkeet, BWV 212: Recitative (Bass): “Das ist zu klug vor dich”

Ton Koopman, Els Bongers

00:19

25

Mer hahn en neue Oberkeet, BWV 212: Aria (Bass): “Es nehme zehntausend Dukaten”

Mer hahn en neue Oberkeet, BWV 212: Aria (Bass): “Es nehme zehntausend Dukaten”

Ton Koopman, Klaus Mertens

00:41

26

Mer hahn en neue Oberkeet, BWV 212: Recitative (Soprano): “Das klingt zu liederlich”

Mer hahn en neue Oberkeet, BWV 212: Recitative (Soprano): “Das klingt zu liederlich”

Ton Koopman, Els Bongers

00:19

27

Mer hahn en neue Oberkeet, BWV 212: Aria (Soprano): “Gib, Schöne, viel Söhne”

Mer hahn en neue Oberkeet, BWV 212: Aria (Soprano): “Gib, Schöne, viel Söhne”

Ton Koopman, Els Bongers

00:36

28

Mer hahn en neue Oberkeet, BWV 212: Recitative (Bass): “Du hast wohl recht”

Mer hahn en neue Oberkeet, BWV 212: Recitative (Bass): “Du hast wohl recht”

Ton Koopman, Klaus Mertens

00:16

29

Mer hahn en neue Oberkeet, BWV 212: Aria (Bass): “Dein Wachstum sei feste”

Mer hahn en neue Oberkeet, BWV 212: Aria (Bass): “Dein Wachstum sei feste”

Ton Koopman, Klaus Mertens

05:11

30

Mer hahn en neue Oberkeet, BWV 212: Recitative (Soprano, Bass): “Und damit sei es auch genung”

Mer hahn en neue Oberkeet, BWV 212: Recitative (Soprano, Bass): “Und damit sei es auch genung”

Ton Koopman, Klaus Mertens, Els Bongers

00:21

31

Mer hahn en neue Oberkeet, BWV 212: Aria (Soprano): “Und daß ihr’s alle wißt”

Mer hahn en neue Oberkeet, BWV 212: Aria (Soprano): “Und daß ihr’s alle wißt”

Ton Koopman, Els Bongers

00:37

32

Mer hahn en neue Oberkeet, BWV 212: Recitative (Soprano, Bass): “Mein Schatz! erraten”

Mer hahn en neue Oberkeet, BWV 212: Recitative (Soprano, Bass): “Mein Schatz! erraten”

Ton Koopman, Klaus Mertens, Els Bongers

00:29

33

Mer hahn en neue Oberkeet, BWV 212: Coro (S, B): “Wir gehn nun, wo der Dudelsack”

Mer hahn en neue Oberkeet, BWV 212: Coro (S, B): “Wir gehn nun, wo der Dudelsack”

Ton Koopman, Klaus Mertens, Amsterdam Baroque Choir, Els Bongers

01:04

34

Amore traditore, BWV 203: Aria (Bass): “Amore traditore”

Amore traditore, BWV 203: Aria (Bass): “Amore traditore”

Ton Koopman, Klaus Mertens

06:06

35

Amore traditore, BWV 203: Recitative (Bass)

Amore traditore, BWV 203: Recitative (Bass)

Ton Koopman, Klaus Mertens

00:42

36

Amore traditore, BWV 203: Aria (Bass): “Chi in amore ha nemica la sorte”

Amore traditore, BWV 203: Aria (Bass): “Chi in amore ha nemica la sorte”

Ton Koopman, Klaus Mertens

06:24

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